Emma Druryspeaks English teachers about the challenges and rewards of teaching Tennessee Williams dark, challenging game, Cat on a Hot Tin Roof Alex Quigley, English subject leader, Huntington School, York decided to teach Cat on a Hot Tin Roof, Tennessee Williams, very different groups in terms of the ability of their GCSE English literature because, like most teenagers in the UK for TODAY 'Today These days, my students were completely immersed in American culture: dreams, glamor and lies. Other commodities such as English literature, Of Mice and Men and Death of a Salesman, were universally popular study so dark Williams family disintegration, lies and illicit sex were sure to touch a nerve. As a demonstration of Jeremy Kyle in the classroom, always causes debate chat, emotional qualified prospects and opens a window on a world very recognizable, which never fails to hook students.
twicecat told me he worked for the courses listed, both based on the theme of lies. Obviously, the game also gives me the opportunity to speak fertile theatrical and listening. In our modern era, when students from each class are affected by family breakdown and divorce, the main themes of lies, deception and family taboos illicit sex and power, really hit home with force emotional. The taboo nature of homosexuality potential brick has been that I went with some initial fear. With a diverse group of children, more interested in rugby and makeup, respectively, showed first cat. I approached openly about homosexuality honest (unlike Williams) - cue palpable discomfort with my children. The alpha male of the group, who loves rugby Jack hates school, has been particularly reluctant. In a few weeks, Jack led the debate, arguing vehemently brick and encourage him to continue his feelings for Skipper. At the completion of brick arches was to leave his wife Maggie harpy and find a good man, Alan Carr maniac work offers many opportunities for discussion and nuanced drama. Jeremy said group discussion, and relentlessly funny, Kyle style discussions on the game as a metaphor for American capitalism cancer, the book offers rich material for teens to get their teeth. Since I got sick of the history of Big Daddy of child prostitution to be bothered by annoying interruptions Momma House before being irretrievably broken brick sad, students have always been emotionally involved in the work and Learning large emotional investment is pure gold.
students love the realism of the work. I've had moments where students were unruly cancer patient desperate reveal Big Daddy. Any work that inspired a student to shout: "Why did not you say that you have a bloody cancer - say" with such vehemence that anyone would think that the game is happening in your area, you need to succeed. The ambiguous ending that leaves everyone guessing, with requests for a sequel to "answers". Any teacher will tell you that students read a series called then the work has done the work.
Cat on a Hot Tin Roof offers teachers and students a piece richly complex and deeply moral drama that speaks directly to today's teens with a simple eloquence and certainly one strong blow emotional punching.Capstick Sophie and Jess Grant, professor of English and head of English, The Crest Academies, Brent
teach Cat on a Hot Tin Roof to year 13 students for their A-level English literature course, and not as an isolated text, but a 3000 study comparing word to be compared to a display element Williams with Atonement by Ian McEwan and Othello by William Shakespeare. Not easy for 17 or 18 years.
However, we ensure that we start from Cat on a Hot Tin Roof, because it is very accessible and the plot and themes seem to be universal, animated characters as Maggie the Cat and Big Daddy and General themes of human weakness and vice seems to transcend time and unite even the most disparate classes and reassure students more likely to A2. One of our students this year said that even Tennessee Williams reveals his weakness as a playwright at the end of the room where it has two terminals (one initially expected and it rewrites the request of director Elia Kazan as the beginning of game 1955).
Cat on a Hot Tin Roof in the Guardian Teacher Network:
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